Image source, Getty Images Image caption, Pop star Becky Hill will play the 250-capacity Marrs Bar in her home town of Worcester as part of the Everywhere At Once festival
Music correspondent Published 5 hours ago Maybe it's a blessing that Glastonbury's taken a year off. There isn't an artist alive, from Sabrina Carpenter to Fontaines DC, good enough to justify getting heatstroke in a field this weekend.
But the festival's fallow year has left a gaping hole in the summer music calendar.
The BBC's filling the gap on iPlayer by resurrecting classic sets from its archive - from Radiohead in 1997 to Olivia Rodrigo last year . But there's another alternative for anyone craving a live music fix, and it's right on your doorstep.
More than 2,000 acts, including Becky Hill, Rizzle Kicks, Inspiral Carpets, Divine Comedy and The Lathums, will play local venues across the UK to celebrate the grassroots scene.
Why there will be no Glastonbury Festival in 2026
Published 26 June 2025 Fatboy Slim will perform an exclusive DJ set at The Pipeline in Brighton , external , where the capacity is just 60 people; while grime legend D Double E plays a warehouse gig at Nottingham's Brickworks.
And chart-topping pop star Hill will preview songs from her forthcoming album, Rebecca, at the legendary Marrs Bar in her hometown of Worcester.
Billed as "Everywhere At Once", the festival has been organised by the Music Venue Trust, which hopes it will highlight the value of small, local venues at a time of existential threat.
It says 37% of the UK's clubs have closed since the pandemic. Those that remain are operating on a knife edge.
More than half failed to make a profit last year, while changes to national insurance and business rates resulted in a loss of 6,000 jobs.
"We're losing three nightclubs a month," says Tinie Tempah, who's performing in Newcastle, Norwich and Southampton for the festival.
"And I get it, you know? Since the pandemic, people are going out less, drinking less. Lifestyles definitely changed.
"But, as an artist, I also think about the music scenes that came from those venues. Whether it's the Bristol clubs that nurtured trip-hop, or the London underground clubs where grime emerged.
"If we lose those spaces, I just worry what happens."
Image caption, Fans will get a rare opportunity to get up close and personal with Tinie Tempah, who's more used to playing arenas and festival stages
Squeeze star Glenn Tilbrook shares his concern. He says he owes his career to the tiny but "raucous" gigs he'd play with Jools Holland in 1970s London.
"That was really where we cut our teeth and learned how to be with an audience that loved you... Or with an audience that weren't interested in you at all and just wanted entertainment," he says.
"We were lucky to have had that opportunity so young."
Tinie Tempah agrees such shows are a crucial proving ground.
"These venues are where you get booed the first time, and where you get cheered for the first time.
"It's where you get humbled, thinking you've sold out a show, and there's only 20 people there.
"It's also where you build your most loyal fan base, to be honest. Two decades into my career, the day one fans always hark back to a rave, or a party where they saw you at the very beginning."
But London, in particular, is struggling. Venues in the capital face a perfect storm of rising costs, strict n…